简介：The story appears simple on the surface, but is reThe story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows i...详情

导演： 大卫·格瑞尼/ 主演： 珍妮·艾加特/布莱恩·马歇尔/Clare Sutcliffe/西蒙·沃德/ 更新： 2025-05-06 00:59:30，最后更新于 1月前 备注： 更新HD 评价：

The story appears simple on the surface, but is revealed, especially after multiple viewings, as mor[展开全部]　The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. [email protected][收起部分]

杰妮是一位容貌出众的姑娘，在萨尔的帮助下，她离开了杂耍团，和萨尔结伴来到了纽约，想在百老汇寻求新的发展。在百老汇，杰妮以其出众的容貌和特别的说话方式，让著名的戏剧指导尼尔斯夫人破例收留了她，并在随后的[展开全部]　杰妮是一位容貌出众的姑娘，在萨尔的帮助下，她离开了杂耍团，和萨尔结伴来到了纽约，想在百老汇寻求新的发展。在百老汇，杰妮以其出众的容貌和特别的说话方式，让著名的戏剧指导尼尔斯夫人破例收留了她，并在随后的演出中逐渐走红。成功后的杰妮在导演布鲁克斯的带领下，开始出入上流社会，由此也染上了酗酒的恶习。随着杰妮名气的不断增大，媒体中开始流传着一些关于杰妮不好的传闻。对此，面对萨尔的提醒和告诫，杰妮不但置若罔闻，而且还离开了萨尔与乔那结了婚。 一个偶然的机会，杰妮认识了演员迪斯蒙，并答应为她帮忙。不想杰妮拿过迪斯蒙的剧本后，自己出演了其中的主角，并又一次获得巨大的成功。迪斯蒙因此失去机会而跳楼自杀，这让杰妮从此处于惊恐与不安之中，以至于在另一部新剧的首演上因恐惧而晕倒。从此，杰妮被演员协会勒令不得出演于正规的舞台。不久，杰妮因意志消沉而服毒自杀，给观众留下的是由她主演、且风靡全美的一部话剧《雨》。[收起部分]

伯恩瓦特（奧古斯特·迪赫AugustDiehl饰）的父亲是希特勒御用的纳粹诗人，发表过一系列的赞颂纳粹精神的诗歌。如今，伯恩瓦特和妻子恩斯林（莉娜·莱西米兹LenaLauzemis饰）正在整理那些未经发表的作品，希望这些作品能够给现在的文学界注入新的力量。在整理作品的过程中，伯恩瓦特和恩斯林的政治立场也在渐渐发生着变化。伯恩瓦特有一个秘密交往多年的情人罗斯（玛利亚-维多利亚·德拉古斯Maria-VictoriaDragus饰），天真的恩斯林以为他们可以组成一个独特的三口之家，却因为嫉妒而常常同丈夫发生口角。之后，恩斯林也成为了安德里亚斯（亚历山大·斐林AlexanderFehling饰）的情人。.

In an attic full of discarded junk, a pretty doll called Buttercup lives in an old trunk together wi[展开全部]　In an attic full of discarded junk, a pretty doll called Buttercup lives in an old trunk together with her friends, the marionette Sir Handsome, the lovable Teddy Bear, a Mechanical Mouse and the plasticine creature, Laurent. When Buttercup is snatched and taken off to the Land of Evil, her pals set out on a wondrous and daring adventure to rescue her from the all-powerful Head of State.[收起部分]

In an attic full of discarded junk, a pretty doll called Buttercup lives in an old trunk together with her friends, the marionette Sir Handsome, the lovable Teddy Bear, a Mechanical Mouse and the plasticine creature, Laurent. When Buttercup is snatched and taken off to the Land of Evil, her pals set out on a wondrous and daring adventure to rescue her from the all-powerful Head of State.

2016年老梁观世界全面升级，改名为《有请老梁》（即《老梁看电影》），辽宁卫视每周四周五21点20分播出，听老梁跟你侃侃中国荧屏上那些大热大火的电影，敬请收看。

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主演：暂无 导演：暂无 编剧： 分类：成长逆袭 地区：大陆 年份：2024 更新：06.12 简介：暂无